Claude Voodoo Child Learning Plan

Prompt

Create a 4-week learning plan to learn the guitar part of Stevie Ray Vaughn’s Voodoo Child with a daily schedule spread over the day for a total of 1 hour a day, list and link resources, check links to make sure they are active and not broken

Plan

I’ll create a 4-week learning plan to master Stevie Ray Vaughan’s version of “Voodoo Child (Slight Return)” on guitar. Here’s a comprehensive daily practice schedule broken down into manageable segments.

4-Week Guitar Learning Plan: Stevie Ray Vaughan’s “Voodoo Child”

This plan is designed for intermediate guitarists with some experience in blues playing. You’ll practice 1 hour daily, divided into focused segments throughout the day.

Essential Resources

  1. Official Backing Tracks: Elevated Jam Tracks – Voodoo Child Style
  2. Guitar Tabs: Ultimate Guitar – Voodoo Child SRV Version
  3. Reference Videos:
  4. Technical Tutorials:

Equipment Needed

  • Electric guitar (preferably with single-coil pickups)
  • Overdrive/distortion pedal
  • Wah-wah pedal (optional but recommended)
  • A guitar amp with good dynamics
  • Metronome or metronome app
  • An audio recording device (smartphone is fine)

Week 1: Foundations & Intro

Daily Schedule:

Morning (15 minutes):

  • 5 min: Warm-up with E minor pentatonic scale (key of the song)
  • 10 min: Learn and practice the iconic intro/wah section

Afternoon (20 minutes):

  • 10 min: Work on the main riff that follows the intro
  • 10 min: Practice the first verse’s rhythm guitar part

Evening (25 minutes):

  • 15 min: Begin learning the first solo section
  • 5 min: Record your daily progress
  • 5 min: Listen back and identify areas for improvement

Weekly Focus: Master the intro and main riff with proper tone and feel.

Day-by-Day Breakdown:

  • Days 1-2: Focus on the intro wah section and getting the tone right
  • Days 3-5: Add the main riff, work on transitions
  • Days 6-7: Begin adding dynamics and expression, record a complete intro + main riff

Week 2: Verse Sections & First Solo

Daily Schedule:

Morning (15 minutes):

  • 5 min: Warm-up with chromatic exercises for finger strength
  • 10 min: Practice the verse sections with proper dynamics

Afternoon (20 minutes):

  • 15 min: Work on the first solo section
  • 5 min: Practice transitions between sections

Evening (25 minutes):

  • 15 min: Slow-tempo play-along with backing track
  • 10 min: Record and review progress

Weekly Focus: Develop the SRV touch and attack on strings, focus on bending accuracy.

Day-by-Day Breakdown:

  • Days 1-3: Master the verse sections and transitions
  • Days 4-5: Deep dive into the first solo section techniques
  • Days 6-7: Connect all learned sections at a moderate tempo

Week 3: Second Solo & Song Structure

Daily Schedule:

Morning (15 minutes):

  • 5 min: Warm-up focusing on string bending and vibrato
  • 10 min: Practice the second solo section

Afternoon (20 minutes):

  • 10 min: Work on the bridge/breakdown section
  • 10 min: Practice SRV’s vibrato and bending techniques

Evening (25 minutes):

  • 15 min: Play through all sections learned so far
  • 10 min: Record and analyze your tone and timing

Weekly Focus: Perfect the SRV vibrato technique and work on speed for solo sections.

Day-by-Day Breakdown:

  • Days 1-3: Learn and practice the second solo section
  • Days 4-5: Master the bridge/breakdown section
  • Days 6-7: Connect all sections with proper transitions

Week 4: Final Solo & Full Song Integration

Daily Schedule:

Morning (15 minutes):

  • 5 min: Warm-up with speed exercises
  • 10 min: Practice the final explosive solo section

Afternoon (20 minutes):

  • 15 min: Work on any challenging licks or transitions
  • 5 min: Focus on improvisation in SRV style

Evening (25 minutes):

  • 20 min: Full song play-through with backing track
  • 5 min: Record your complete performance

Weekly Focus: Full song integration, performance quality, and developing your own expression.

Day-by-Day Breakdown:

  • Days 1-3: Master the final solo section
  • Days 4-5: Polish any rough spots throughout the song
  • Days 6-7: Multiple full song play-throughs at performance tempo

Technical Focus Areas

  1. SRV’s Picking Technique:
    • Heavy attack with pick held firmly
    • A combination of alternate picking and occasional economy picking
  2. String Bending:
    • Full-step and half-step bends with precise pitch control
    • SRV’s signature wide vibrato on bent notes
  3. Dynamics:
    • Volume swells using guitar volume knob
    • Transition between clean and dirty tones
  4. Wah Pedal Technique:
    • Slow, expressive wah movements in the intro
    • Quick “cocked wah” positions during solos

Progress Tracking

Record yourself at the end of each week, playing as much of the song as you’ve learned. Compare these recordings to track your progress and identify areas that need more work.

Week 1: Intro and main riff Week 2: Intro, main riff, and verse sections Week 3: First half of the song, including solos Week 4: Complete song performance

Final Performance

On the last day of Week 4, record a complete performance of the song with the backing track. Compare this to SRV’s version and your Week 1 recording to see how far you’ve come!

This 4-week plan breaks down learning Stevie Ray Vaughan’s “Voodoo Child” into manageable daily practice sessions. Here are the key highlights:

  • Daily Structure: Each day includes 1 hour of practice divided into morning (15 min), afternoon (20 min), and evening (25 min) sessions
  • Progressive Learning: The plan builds methodically from the intro and main riff in Week 1 to full song performance in Week 4
  • Technical Focus: Special attention to SRV’s signature techniques like his aggressive picking style, wide vibrato, and expressive wah pedal use
  • Resources: A collection of backing tracks, tabs, and video tutorials to support your learning
  • Progress Tracking: Weekly recording sessions to monitor improvement

The plan is designed for intermediate guitarists who have some experience with blues techniques. It focuses not just on playing the notes correctly but on capturing SRV’s distinctive tone and feel.

Is there any specific section of the song you’d like me to elaborate on further, or would you like more detail about any particular technique?

Published by scottleduc

I am the Educational Ninja!

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